INTERNATIONAL LANGUAGE
A wandering and fantastic theatre and sound comedy in three acts for public place.
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Nationals and internationals Tours since 2001 . Nowadays 179 presentations in 80 cities of 14 countries (Germany, England, Austria, Belgium, Canada, France, Italy, Japan, Luxembourg, Portugal, Holland, Switzerland, Spain, South Korea) Faunèmes has also been shown since 2001: |
| A creation for three stationary and three ambulatory circuits. Live voices, treated by électroacoustic, are added to pre-recorded sounds with the deliberate choice of an international language. Prejudice of the critical laughter and the black humor, under an almost artless aspect, is claimed as anchorage point. In FAUNÈMES, live and mechanical are printed in the sense as well as in the shape. Evolving in an imaginary world, the actors depend on the sound mechanics which they carry. In this time of the standardization of thought, "of the taming of souls" and the layout of desires, our actions automate, are manipulated, become computerized. We must be of our time, that is cabled, connected, hooked in ... This model settles down peacefully in our heads - " a Trojan horse in the intimacy of our brains ". We are at the same moment alive and mechanized, alive by our differences and human by our imagination, mechanized with our approval in the model we follow. Mode of sound broadcasting The principle of broadcasting, namely a sound chain carried by every actor, offers electroacoustic possibilities out of the ordinary. On one hand, the actors have each their halo of production sound (comparable to a setting in light) made all the more striking as the system remains invisible to the public. On the other hand, the mobility of the actors induces many movements of loud speakers in the scenic space. Quadriphonic configuration in movement allows a spatializing variable geometry. Every actor has, riveted to the body, the number of invisible partners that he wishes, the sound reinforcements necessary for the expression of his gestures and from a wider point of view, all the elements constituting the scenery common to the four actors. So sound allows every spectator to create his own image of the character’s environnement. |
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CAST
Concept designers : Claire MADELENAT and Pierre DELOSME Consulting writer : Bernard AVRON Stage directors : Pierre DELOSME and Bernard MAITRE Musical score and sound designer : Stéphane MAZARD Costume designers : Asta et Christian COULOMB Performers : Fabrice PARDOUX, Sébastien PEYRASSE, Pierre DELOSME and Claire MADELÉNAT Props “Captors” : Jean RACAMIER Production designers : Arnaud BERTRAND and Stéphane MAZARD Mixing and mastering : Ali Laouamen Sync designer : Philippe DINSARD (MEM Inc.) Sound manager : Daniel BARDOU Graphic design : Christian COULOMB Administration and Public relations : Elsa CORDIER |
Creative residence :
Le Citron Jaune (Port-Saint-Louis)
PARTNERS
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L'Elephant vert / théâtre de rue - street theatre
